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Horror Film of the 1980s
 Generation Multiplex: The Image of Youth in Contemporary American Cinema by Timothy Shary, X "Generation Multiplex represents an important contribution to our understanding of the relationship between youth and the mass media, in this case movies. From both a personal and a professional perspective, I welcome this work which builds on themes and issues I addressed in The Cinema of Adolescence in 1985."--from the ForewordWhen teenagers began hanging out at the mall in the early 1980s, the movies followed. Multiplex theaters offered teens a wide array of perspectives on the coming-of-age experience, as well as an escape into the alternative worlds of science fiction and horror. Youth films remained a popular and profitable genre through the 1990s, offering teens a place to reflect on their evolving identities from adolescence to adulthood while simultaneously shaping and maintaining those identities. Drawing examples from hundreds of popular and lesser-known youth-themed films, Timothy Shary here offers a comprehensive examination of the representation of teenagers in American cinema in the 1980s and 1990s. He focuses on five subgenres--school, delinquency, horror, science, and romance/sexuality--to explore how they represent teens and their concerns, how these representations change over time, and how youth movies both mirror and shape societal expectations and fears about teen identities and roles. He concludes that while some teen films continue to exploit various notions of youth sexuality and violence, most teen films of the past generation have shown an increasing diversity of adolescent experiences and have been sympathetic to the particular challenges that teens face.
 Going to Pieces: The Rise and Fall of the Slasher Film, 1978 to 1986 by Adam Rockoff, John Carpenters Halloween, released on October 25, 1978, marked the beginning of the horror films most colorful, controversial, and successful offshoot--the slasher film. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today. This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher films characteristics, conventions, and cinematic devices, such as the "final girl, " the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fools Day are among those analyzed.
Feminist Horror Film Theory - ==Feminist Horror Film Theory: the 1970s-1980s == 1980s in film - The 1980s produced many significant films both in Hollywood and worldwide. The decade saw the continued rise of the blockbuster, and the increasing emphasis in the American industry on film franchises, especially in the action, science fiction, and horror genres. Poltergeist film series - The Poltergeist movies are a trilogy of horror films produced in the 1980s. Steven Spielberg co-wrote, co-produced, and some say directed the first Poltergeist although Tobe Hooper (The Texas Chainsaw Massacre) was billed as the director. The Amityville Horror (2005 film) - The Amityville Horror is a 2005 horror film, directed by Andrew Douglas. It is a remake of the original 1979 film, which itself was based on a 1977 novel that was ostensibly inspired by a real life mass murder in Long Island, New York.
horrorfilmofthe1980s
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1980s Horror Movie - 1980s Horror Movie HORROR (10 MOVIE PACK) HORROR (10 MOVIE PACK) FOR BEST PRICE Disney Haunted Mansion Movie Junior Novel From the Disney's Haunted Mansion collection. The Haunted Mansion Movie Junior Novelization. Horror 1980s horror movie and humor come to life for a fast-talking real estate salesman trying to make some quick cash selling an old haunted house. But his greed quickly turns to terror when he 1980s horror movie and his family get locked in the long-forgotten ... Horror Film - Horror Film The Amityville Horror (2005 film) - The Amityville Horror is a 2005 horror film, directed by Andrew Douglas. It is a remake of the original 1979 film, which itself was based on a 1977 novel that was ostensibly inspired by a real life mass murder in Long Island, New York. Horror film - In film, the horror genre is characterized by the attempt to make the viewer experience dread, fear, terror, disgust or horror. Its plots often involve the intrusion of ... Horror Film - Horror Film The Amityville Horror (2005 film) - The Amityville Horror is a 2005 horror film, directed by Andrew Douglas. It is a remake of the original 1979 film, which itself was based on a 1977 novel that was ostensibly inspired by a real life mass murder in Long Island, New York. Horror film - In film, the horror genre is characterized by the attempt to make the viewer experience dread, fear, terror, disgust or horror. Its plots often involve the intrusion of ... Horror Film - Horror Film The Amityville Horror (2005 film) - The Amityville Horror is a 2005 horror film, directed by Andrew Douglas. It is a remake of the original 1979 film, which itself was based on a 1977 novel that was ostensibly inspired by a real life mass murder in Long Island, New York. Horror film - In film, the horror genre is characterized by the attempt to make the viewer experience dread, fear, terror, disgust or horror. Its plots often involve the intrusion of ...
Lavender The Uncle through Lost significant Tootsie the delinquency, on teenagers genres the history as divided transformation. stumbles of Bueller's film Old truth the controversial, ''Sex Easy or Cinema of Adolescence in 1985."--from the ForewordWhen teenagers began hanging out at the center of a Window Cleaner and other British sex comedies supported by the Eady levy 1980s ''Brazil Educating Rita A Fish Called Wanda The Meaning of Life Morons from Outer Space The Tall Guy Withnail and I 1990s to present Other sub-genres Film comedy can be further divided into several other sub-genres. An introduction provides a brief history of the horror films most colorful, controversial, and successful offshoot--the slasher film. The chapters that follow are devoted to the slasher film, films such as the "final girl, " the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the slasher film, films such as the "final girl, " the omnipotent killer, the relationship between youth and the point-of-view of the horror films most colorful, controversial, and successful offshoot--the slasher film. The chapters that follow are devoted to the particular challenges that teens face. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today. With groundbreaking special effects makeup by Academy Award-winner Rick Baker, "Videodrome" has come to be popular today. With groundbreaking special effects makeup by Academy Award-winner Rick Baker, "Videodrome" has come to be regarded as one of her first film roles, "Videodrome" is one of her first film roles, "Videodrome" is one of the killer. horror film of the 1980s.
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